Untitled (1976), Parvaneh Etemadi
The Market of Iranian Female Artists
In its annual publications, Artchart consistently evaluates the contributions of both male and female artists. Notably, in the report from the 19th Tehran auction, there is a focused analysis on the achievements of female artists throughout all Tehran auctions. The document presented below has been meticulously prepared to offer an in-depth investigation into the market presence of Iranian female artists.
16 March 2024
The Market of Iranian Female Artists 16 March 2024
In its annual publications, Artchart consistently evaluates the contributions of both male and female artists. Notably, in the report from the 19th Tehran auction, there is a focused analysis on the achievements of female artists throughout all Tehran auctions. The document presented below has been meticulously prepared to offer an in-depth investigation into the market presence of...
Female Art Players in Iran's and Middle East's Art Scene 23 May 2023
Women have always played an important role in the development of Middle Eastern culture and art, while there are few references to their activities in art history books. Recently, there have been many efforts to recognize female artists and their influences, but the women who have been involved in the presentation of art, are still lesser-known actors in the region's art world. This...
Women and the 2021 Global Art Market: 100 Most Influential Female Artists you should Know 4 January 2023
In this article, Artpro magazine has examined the market of female artists in 2021. Their research has shown an unprecedented growth in the share of female artists in total sales. This share has almost doubled from 2012 to 2021, however, it has only reached six percent of total sales. In this article, the statistics of the top 100 female artists in the world and their sales record i...
Art as a way of fighting 10 December 2022
The contemporary artist is no longer an artist who expresses the standard narrative or previous narrative and is always ahead of the society. In this essay, Hossein Ganji explains how the artists, with their protest expressions, drew the screams in the throat and the unfulfilled demands of not mentioned, and in the meantime, they also gave many damages and compensations. Either when...