Jila Kamyab is renowned for her semi-abstract landscapes, a multifaceted artist born in Kermanshah, known for her roles as an art educator, ceramicist, and contemporary painter. She earned her bachelor's degree in painting from the Tehran Center Faculty of Art and Architecture, followed by another bachelor's degree in the same field in 1995 from the same institution. Transitioning to academia, she joined the faculty of Azad University, where she imparted knowledge in industrial design and graphics.
In 2003, she ventured to a French atelier to delve into ceramic techniques, enriching her artistic repertoire. Kamyab's talent caught attention at the second Iranian painting biennial, earning her recognition. Notably, she received a plaque of honor for her research in Raku ceramic technique. Her artistic journey began with her first solo exhibition at the Radio and Television Hall in 1994. Since then, her artworks have graced exhibitions such as "Tajali Ehsaas" and various group showcases both domestically and internationally, including the Paris International Artists' Village and the Niavaran Cultural Center's exhibition in Dubai.
Kamyab's semi-abstract paintings emanate warmth and vibrancy, invoking a deep connection to nature. Trees and stones emerge as recurring motifs in her works, echoing the themes explored by Sohrab Sepehri albeit with distinct stylistic nuances. While Sepehri's compositions lean towards abstract representation, Kamyab's approach leans heavily on sensual and expressive interpretations, prioritizing the emotive essence over strict objectivity. Through skillful manipulation of color and form, she imbues her canvases with a palpable sense of presence; a stone slab or a tree branch comes alive through meticulously crafted strokes. Occasionally, subtle red accents adjacent to these elements hint at abstract floral imagery. Kamyab deftly strips away the conventional notions of depth in landscapes, opting instead to bring the constituent elements to the forefront, orchestrating spatial interplay through layering and surface juxtaposition. Her nuanced color palette infuses her paintings with delicate and lyrical hues, reminiscent of Farideh Lashai's aesthetic sensibilities.
Beyond her paintings, Kamyab draws inspiration from traditional Iranian architecture, particularly clay tiles, which inform her ceramic creations. She seamlessly integrates ceramic sculptures resembling stones into her environmental art installations, complementing her paintings and enriching the artistic landscape with her distinctive vision.