Kambiz Sabri, a graphic artist and sculptor was born in Kashan. Between 1996 and 2001, he pursued a bachelor's degree in sculpture at the Faculty of Fine Arts and a bachelor's degree in industrial design at Central Tehran Azad University, but finally he dedicated his attention to sculpture. Later, Sabri recieved a master's degree in graphic design from the Faculty of Fine Arts.

Kambiz Sabri has started painting from his childhood, but his professional artistic career was shaped in the mid-1990s. He has participated in several conceptual art group exhibitions and sculpture biennials in Iran and other countries and has received many awards, including: The special prize of the judges in The Third Sculpture Biennial of Iran, 2013, the prize of the Second Symposium of Sculpture, Tehran, 2019, and the Skywards Award in 2011.

In the 2000's, Sabri's works were included in some shows at the Tehran Museum of Contemporary Art, including: The First Conceptual Art exhibition, Iranian Garden; AncientWisdom, a New Perspective, Manifistations of Contemporary Art in Iran. In 2009, he exhibited his sculptures for the first time in a solo exhibition at Khak Gallery in Tehran. Sabri's first international appearance took place in 2018 with the group collection "Contemporary Iran" at Sholeh Abgari Gallery, Marbella. In addition to sculpting, Sabri teaches in art colleges and designs award-winning statues for festivals and interior design. In 2021, his works were displayed in the "Persian Art and Contemporary Iranian Art" collection in the Powerlong Museum, Shanghai. In the same year, his works were participated in Istanbul Contemporary Art Fair by Khak Gallery. Several urban sculptures of this artist have been installed in different cities of Iran, such as Tehran, Abadan and Sari.

Ahmadreza Dalvand writes about this artist's sculptures: "Many of Sabri's artworks are designed and executed based on asymmetrical balance. In asymmetric balance, a complex system of visual substitutes and balances are placed against each other so that the viewer has to spend more mental effort to understand the concept of the work. In examining the works of Kambiz Sabri, the role of the earth's gravity must also be considered. Because the visual elements in his works have a kind of visual weight, the size, shape, paint, temperature, and texture come to our experience as heavy or light, cloudy or transparent, suspended in space, or sunken on the ground. But they definitely don't continue their lives under the force of gravity and follow it like us. In the last voluminous works of Kambiz Sabri, the subject of human identity in the media labyrinth has creative hints; Color and texture leave their impact of lightness and heaviness on the scale of the audience's mental gaze. In general, Kambiz Sabri's works stimulate the viewer's curiosity cleverly. I would like to say the duration of attention to the whole or a part of the work, in these works, creates a kind of "mental weight" in our subconscious, which is probably hard to see in two-dimensional works (graphics, photographs, paintings). To participate in the Kambiz Sabri's creative experience, you must definitely stand firmly on the ground and evaluate the work with two watchful eyes."