Arman Yaghoobpour's reputation is connected with landscape painting. He was a lecturer, researcher, and modernist painter born in Bojnourd. He received a bachelor's degree in painting from the Tehran Faculty of Fine Arts. He continued his graduate studies in this field at the same university. Then he completed his Ph.D. in art research at Tarbiat Modarres University. He later became a member of the Faculty of Arts. In 2013, he exhibited his works individually in Golestan Gallery for the first time. His next solo exhibition, titled "Matrix," was held a year later in collaboration with Mahe-Mehr Institute Gallery. Since then, he has exhibited his works individually and as a group many times in different galleries in Tehran and other cities.

As we said at the beginning, Arman Yaghoobpour is known as a landscape painter. His favorite subjects are natural landscapes (green fields and rows of trees in Tabriz) and rural contexts (thatched dome houses). The main feature of Arman Yaghoobpour's works lies in how he deals with paints. He uses the colors in mass and puts thick layers of impastos together. Discovering the physical importance of paint and turning it into the central subject of the painting was one of the achievements of modernist art. Manouchehr Yaktai was one of the first Iranian painters to understand the importance of paint mass and implement it in his paintings. The influence of Manouchehr Yektai's paintings and his painterly action is evident in Arman Yaghoobpour's pictorial style. This influence is evident even in dealing with the perspective (inclining the depth of field towards the surface), the triangular composition of the works, minimalism, as well as the dominance of white color and the canvas surface on the whole of his painting.

Seyyed Amir Soghrati wrote on the occasion of the exhibition "The trees are burning": "Arman Yaghoobpour's exhibition at the Mehrin Gallery was still a display of this artist's natures. At first glance, his works are a continuation of his previous works, but in the exhibition, some paintings tend towards more abstraction of nature. The works are still based on the logic of previous teachings, but the painter's view emphasizes the attraction of color spots and the wide range of color spaces. As he portrays nature with the same impressionistic excitement, he is attached to visual ups and downs and painterly sensitivities; sometimes, he goes to the point where only two complementary colors give life to the painting. The passionate green nature and the yellow and red trees resemble a flame of fire; The flame here is the painter's interest in painting, nature, and representation; Let's suppose that this passion is the color of the painting, but it does not have the smell of being contemporary."