“Curtains” is the final series in the trilogy, continuing the artist’s previous two series. Years ago, Shahla, a relative of the artist, moved to the small village of Veresk (known for its famous bridge and surrounding mountains) from Sari.

The painting process in “Curtains” is a combination of study and improvisation. The artist has imagined memories from a lost person and created layered confabulations based on those memories and her observations during her travels. Shahla’s photographs and her will have penetrated those layers and mixed with the artist’s imagination. Thus, the painting process is bound to the experimental nature of the artistic approach, making each painting to continue life in a parallel context of time and space, in a realm created by the artist. By appropriating a location, the artist superimposes her artificial memories to it.