Marko Grigorian was born in 1925 in Kropotkin, Russia. In 1930, he and his Armenian family migrated to Tabriz, Iran. He began his painting studies at the Kamal-ol-Molk Art School and continued his education at the Academy of Fine Arts in Rome from 1950 to 1954. Upon his return to Tehran in 1954, Grigorian held his first solo exhibition at the Iran-America Society and established the...

Manoucher Yektai, an esteemed Iranian poet and artist, made his entry into the secondary market in 2006 with two unique pieces featured at the Dreweatts and Bloomsbury auction in Berkshire, England. Up until 2013, Yektai's market saw limited growth, mainly due to the scarcity of his works and their presence in lesser-known auctions. The launch of the Tehran Auction in 2011 marked a...

In its annual publications, Artchart consistently evaluates the contributions of both male and female artists. Notably, in the report from the 19th Tehran auction, there is a focused analysis on the achievements of female artists throughout all Tehran auctions. The document presented below has been meticulously prepared to offer an in-depth investigation into the market presence of...

Mohsen Vaziri-Moghaddam, an Iranian painter, sculptor, lecturer, and art writer, was born in Behbahan in 1925 and passed away in Rome 94 years later. Throughout his career, he conducted various experiments using different materials and media. However, Vaziri-Moghaddam is most renowned for his sand paintings and articulated sculptures. His works have been featured in auctions since 2...

Iran's publishing market is facing a shortage of authored books in the field of art economics, but you can still find titles written for the audience of this field. The book "Art Marketing Strategy" written by Dr. Mehdi Khademi and Shahin Parikhani is one of these works. This book seeks to provide a suitable framework for managers of art organizations and art collections to formulat...

Imagining a future for the art market in Iran seemed like an unattainable dream two decades ago, but today it has become a pleasant memory that we should hope for its continuation. In this article, Mahmoud Nouraie announces on the bright future of this market by examining the growth trend of Iran's art market.