'The history from Assyrian reliefs to Apadana patterns, Ghaznavi palaces, Safavi mosques is paradoxical tales of beautiful kings, cruel beauties, faithful traitors, coward champions, prosper prostitutes, traditional modernity, modern calcification and all in a context called Iran. The reflection of the steel sheet and its interference with the objective reality is like the integration of history and the present. At this course of my works, I have tried to provide the opportunity for such a vivid symbiosis and create an artificial appearance to some extent. The result is refreshing and renewing the past and not adoring or denouncing the history. Yet, the random and cuts don't come back to the ancient ones, whatever is seen are all the most familiar illusions of our most strange feelings, a place named Iran, strange and them most familiar and common dream of all Persian speakers.' Arash Nazari