Parviz Tanavoli

Iran | 1937
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About Parviz Tanavoli

The Most Expensive Artwork

At Auctions

First Attendance
1 February 2007
# Attendance
96
# Artworks
170
Average Realized Price
133,859 USD
Average Min Estimate
69,312 USD
Average Max Estimate
97,496 USD
Sell-through Rate
81.176%
Average Growth of Artwork Worth
78.684%
Articles

Iranian Art Market Report for 1402 SH (2023-2024) 20 April 2024
Artchart, which had previously examined the Iranian Art  Market in 1401 SH (2022-2023), has once again provided an in-depth report for 1402 SH (2023-2024). The forthcoming report will analyze the data collected in 1402 SH and compare it to previous years to illustrate the current state and trends within the Iranian art market. The initial section provides an overview of the mos...
18th Tehran Auction Report 2 January 2024
Artchart, as a data search and data mining platform for the art market, has examined 8 periods of Tehran Auction so far. In this issue, Artchart analyzes the 18th Auction of Tehran or The First Online Auction of Tehran. In this report, you will read: Sales Statistics, The Most Expensive Works, Key Findings, Market Performance, Record Holders & Background Comparison.
A Review on Christie's and Milon's Middle Eastern Modern and Contemporary Art Auctions, Fall of 2023 3 December 2023
The Middle Eastern art auctions of Christie's and Milon were held on November 9 and November 30, 2023, respectively, which also included several Iranian artists. There were 9 Iranian artists with 11 works in the Christie's and 10 Iranian artists with 13 works in the Milon, which in the following, you will read a report of their performance in these two auction houses.
Market of Iranian Neo-calligraphers 15 August 2023
Neo-calligraphic style entered the modern Iranian art movement in 1964 with the efforts of the pioneers of the Saqakhaneh movement, namely Hossein Zenderoodi, Parviz Tanavoli and Faramarz Pilaram. From this movement, later, a trend called Calligraphy-Painting branched out, which, to some extent, adhered to the rules and style of traditional calligraphy. Since the the 2000s, with the...
Collecting in art of contemporary Iran; from artists to archivists 29 July 2023
Art collecting in contemporary Iran is more of a patronage that even leads to archival activities. But is it possible to classify Iranian art collectors and talk about their motivations? In this short essay, Savana Boghossian has tried to propose a framework for art collecting in Iran, considering the limited information at hand.
۱7th Tehran Auction Sales Report 26 July 2023
The 17th Tehran auction: modern and contemporary, was held on Friday July 21st, 2023 at Parsian Azadi Hotel. This auction achieved a total sale of 214 billion tomans equivalent to 4.3 million dollars, which was a growth of 77.8% compared to the previous period. Artchart has observed the 17th Tehran auction in the upcoming report.
From the Sepehri's trees to the painting's of Pooya Aryanpour; An overview of the Modern and Contemporary Middle Eastern auctions at Bonhames and Millon 29 May 2023
The modern and contemporary art auction was held on May 24, 2023 in Bonames and Millon & Associes auction houses. Iranian artists such as Sohrab Sepehri, Manouchehr Yektaei, Parviz Tanavoli and Marco Grigorian to younger ones such as Pooya Aryanpour were participated in these auctions and some of them were among the most expensive one's that were sold. This report is an overview...
MODERN & CONTEMPORARY MIDDLE EASTERN ART: A REPORT 23 May 2023
In this report, the works of Iranian artists in the online auction of Christie's Dubai in the contemporary and modern art of the Middle East are discussed. In this auction, 15 works by Iranian artists were present, from veterans such as Manouchehr Yektai to young contemporary artists such as Rokni Haerizadeh. Information such as total sales, growth rate and the most expensive works...
Art as a way of fighting 10 December 2022
The contemporary artist is no longer an artist who expresses the standard narrative or previous narrative and is always ahead of the society. In this essay, Hossein Ganji explains how the artists, with their protest expressions, drew the screams in the throat and the unfulfilled demands of not mentioned, and in the meantime, they also gave many damages and compensations. Either when...