Jinchi's work is deeply rooted in her Persian heritage yet her works are undeniably very contemporary, leaning towards abstract expressionism. She deconstructs Persian calligraphy and meticulously manipulates it on her work's support in order to produce harmonious abstract compositions of intricate and interlaced patterns. By doing so, Jinchi strips bare the words and letters from their function and meaning, as the text becomes undecipherable for any viewer. This absence of meaning, usually given by the text, generates a sense of meditation on the relation between letters and forms and their transcending spiritual power. As calligraphic elements are transformed into lyrical visual motifs in Jinchi's pictorial universe, her drawings hence become maps of faith and platforms for the act of prayer.