Time compels me to contemplate the timeless, even as I remain bound within its current. This paradox defines my pursuit: to perceive what exists unshackled from temporal flow while confined within its structure.
My understanding of the world is irrevocably human—tethered to flesh and bone, anchored to earth with a limited horizon. To grasp anything beyond this immediacy, the mind must slip its corporeal moorings. It must shift position, ascend, or pivot—not merely to observe from new angles, but to reconfigure perception itself. In this recalibration, the observer merges with the observed; perspective becomes participatory.
Here, geometry serves as both compass and scaffold. It is the language through which I translate thought into form, mapping relationships between volume, space, and proportion before they crystallize into tangible objects. Three-dimensional visualization transcends design—it is cognition made visible, a bridge between abstraction and materiality.
My works—paintings, sculptures, hybrid forms—are not artifacts of a linear chronology. They invite time to pause, to pool and eddy, creating spaces where moments fracture into facets. Each shape, each spatial dialogue, embodies time’s multiplicity: as architecture, as metamorphosis, as lived experience. These pieces propose an order where viewers might interrogate their own place within time’s tapestry, to see anew how space cradles and complicates our passage through it.